2018(Vol. 2)

  • Retrospection and Reflection of Visualized Analysis on Chinese-English Translation of Public Signs

    Author:Hang He, Yinquan Wang

    Abstract: According to 236 public sign-related papers from CNKI (China National Knowledge Infrastructure) from 2002 to 2017, this paper concludes the research trend and status quo of C-E Translation of public signs over the past 15 years through Cite space-based research on quantitative stat...

    Column:Translation Studies   102-112   Details

  • Where “Thoughts” Meet the "Scope": A Chinese Hermeneutic Account of James Legge's Translation Guidelines for The Chinese Classics

    Author:Ling Xue

    Abstract: “To realize friendship” and “To make the thoughts meet the scope” have been valued as guidelines for understanding and interpreting Chinese Classics. Yet, when reevaluated in the context of cross-cultural communication, both objectives place writers and readers separated by time, languages, and cultures on equal footing by fostering mutual communication through dialogue. Coincidentally, such equalization overlaps with the nature of translation. Thus, in James Legge’s translation of the five-volume Chinese Classics, ...

    Column:Translation Studies   113-123   Details

  • A Corpus-Based Critical Discourse Analysis of China’s Anti-Corruption Campaign Reported by Western Media

    Author:Jinlin Jiang, Meihui Zhang

    Abstract: In recent years, the corruption and anti-corruption campaigns in China have become hot topics in foreign media. Based on a 210,000-word self-built corpus consisting of Western news reports on these topics in the past five years, this essay examines the hidden ideology and so...

    Column:Linguistic Studies   124-134   Details

  • Research on Multidimensional Translation Based on the Extended Unit of Meaning Theory: Take "Jiaoyu" as an Example

    Author:Rong Yang

    Abstract: Translation is an important feature of the bilingual dictionary. However, the accuracy of translation is greatly weakened by the traditional models of some C-E dictionaries, which are based on intuitive methods in some respects, and on a high level of interdependence and imitative characteristics among dictionaries. This essay is going to propose a break from the limitations of translation theories used in the C-E dictionary. Firstly, it will start from the Extended Unit of Meaning Theory based on the OPUS2 parallel corpus, Modern Chinese Corpus, and Corpus of Contemporary American English. The goal is to investigate the characteristics of forms, senses, and functions of the verb “Jiaoyu” from four perspectives: collocation, colligation, semantic preferences, and semantic prosody. ...

    Column:Linguistic Studies   135-145   Details

  • An Overview of Studies on Kazuo Ishiguro's Fiction

    Author:Yingling Deng, Fei Wang

    Abstract: There has been remarkable growth in studies on Kazuo Ishiguro during the last three decades. His fiction is gaining more and more academic attention especially after he won the Nobel Prize for Literature in 2017. Studies at home and abroad focus more on his narrative style and narrative dynamics, Japanese-British cultural iden...

    Column:Overviews   146-155   Details

  • The Sinicization and Globalization of Marxist Literary and Art Thought: Re-reading Mao Zedong's "Yan'an Talks"

    Author:Ning Wang

    Abstract: Mao Zedong Thought is a “glocalized” or “Sinicized” Marxist theory initiated and developed by Mao and his comrades in arms and successors in China. The present essay attaches great importance to literature and art with Mao’s famous “Yan’an Talks” as one of his most representative works. The author argues that although Mao Zedong Thought is not a dogmatically “imported” Marxism from the West, it has indeed grasped some fundamental Marxist principles in combination with the concrete Chinese literary and critical practice. Thus a “glocalized” or “Sinicized” Marxist literary theory has contributed and will continue to contribute a great deal to the global Marxist literary and art theory, especially ...

    Column:Marxist Theory of Literature and Art   001-010   Details

  • Three Dimensions of the Investigation into the Class Nature of Literature by Chinese Marxist Literary Criticism

    Author:Shuihe Ji

    Abstract: The investigation into the class nature of literature by Chinese Marxist literary criticism includes three dimensions. The first is the subject dimension, which affirms that writers who are the subject of creation all have class stand. They are born in class society and cannot transcend class nature, always become spokesmen of a specific class and serve it. The second is the object dimension, which suggests life and people in class society are beings of class nature. As the main feature of class society is class competition, people in social life cannot stay away from the restriction of class relations so that their thoughts and feelings partake of obvious class nature. The third is the nature dimension. Belonging to a specific class, all literary works have certain class attributes, carry the contents and play the role of the class.

    Column:Marxist Theory of Literature and Art   011-023   Details

  • The Society of Spectacle in Julian Barnes’ England, England and the Hyperreal Englishness

    Author:Chen Su

    Abstract: Julian Barnes, the contemporary English writer, used to be valued and labeled as a postmodernist fiction writer since his two well-know novels, Flaubert’s Parrot and A History of the World in 10½ Chapters, used such postmodern writing techniques as pastiche, parody and fragments. However,...

    Column:Culture Studies   024-034   Details

  • The Connotations of Eagle and Falcon in the Medieval European Court Culture in Das Nibelungenlied

    Author:Minyue Shi

    Abstract: The Falcon and Eagle are important animal images in the medieval German epic Das Nibelungenlied. These two animals not only differ in taxonomy, but more importantly, in the context of medieval European court culture, the cultural connotations behind them are quite different. The use of different animal images in literary works involves the literary traditions of the time, and its essence is the problem of understanding the cultural meaning behind the image. In the context of this medieval German heroic epic, to differentiate falke from adler, reflects the different projections of the medieval European court culture on these two animal images.

    Column:Culture Studies   035-043   Details

  • Individual Trauma and Ethics of Memory in Andrew’s Brain

    Author:Yun Zhu

    Abstract: In the last of his fictional works Andrew’s Brain, E. L. Doctorow employs the narrative form of dialogue one between an anonymous Doc and the trauma victim Andrew who is a cognitive scientist. The 9/11 event does not appear in the novel literally, but the story points directly to the great trauma-evoking event and its in...

    Column:Culture Studies   044-052   Details

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